![]() ![]() ![]() The Mozart Requiem was commissioned by an unknown person who may or may not have been wanting to cop it as his own. As a non-musician of a certain age, everything I thought I knew about Mozart's Requiem came from the film version of Peter Shaffer's Amadeus play, which I now know takes liberties with how things may have played out. The Hub caught up with Gaylin to talk about what Mozart may have been up to with the Requiem and the role the conductor plays when working with uncompleted scores. "And it wouldn't have come about if we weren't going to be in the Interfaith Center." "I think this is a really fascinating pairing of two works that I'm very excited about it," Gaylin says. In the interim, the HSO, as artists do, has creatively adapted its repertoire to its temporary venues.įor this weekend's program-performances take place Saturday and Sunday-Gaylin complements Mozart's Requiem with Luciano Berio's Rendering, which is the Italian composer's completion of Franz Schubert's unfinished Symphony No. In the spring, the HSO will return to Shriver Hall following its welcome renovations. There's also something about an orchestra performing a so-called unfinished work during the time when its usual home base remains unfinished. There's just something about performing a requiem mass in a church." We programmed this concert completely with the Interfaith Center in mind. "The beauty of the Mozart Requiem is that it calls for a relatively small wind section and a reasonably sized string section, plus the chorus and four soloists. "We had originally planned doing a concert version of La Boheme for this program, and that wouldn't have fit," Jed Gaylin, HSO music director, says with a laugh.
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